"To find out what a story's really about,' the Librarian said,

'you don't ask the writer. You ask the reader."


- SNOW & ROSE by Emily Winfield Martin


Showing posts with label Guest Post. Show all posts
Showing posts with label Guest Post. Show all posts

Monday, November 26, 2018

Guest Post: Cindy R. Wilson, author of PAPER GIRL (YA)


I am so happy to be able to have Cindy R. Wilson, the author of PAPER GIRL due to release next month, here on my blog today! She is sharing how she got started as a writer - very sweet story... 


by Cindy R. Wilson
Release date: December 4th, 2018
Published by: Entangled Teen
Genre: Young Adult Contemporary
Format: Paperback, eBook


SUMMARY

I haven't left my house in over a year. My doctor says it's social anxiety, but I know the only things that are safe are made of paper. My room is paper. My world is paper. Everything outside is fire. All it would take is one spark for me to burst into flames. So I stay inside. Where nothing can touch me.

Then my mom hires a tutor. Jackson. This boy I had a crush on before the world became too terrifying to live in. Jackson's life is the complete opposite of mine, and I can tell he's got secrets of his own. But he makes me feel things. Makes me want to try again. Makes me want to be brave. I can almost taste the outside world. But so many things could go wrong, and all it takes is one spark for everything I love to disappear. 


GUEST POST by Cindy R. Wilson

"I WROTE MY FIRST BOOK ON A DARE."

I get asked a lot about the first book I wrote. When did I write it? Why did I write it? And so on. I often tell people I wrote my first book on a dare. I was a kid when I decided I really, really liked storytelling. My younger brother and sister used to ask me to tell them stories all the time and I would. I'd come up with stories on the spot, often telling my siblings one "chapter" a night until the story was done. To this day, my brother and sister still remember some of those stories I used to tell them. The day before my thirteenth birthday, I was bored. I wanted my older sister to hang out with me but she didn't want to. And after bothering her repeatedly, she said, "Why don't you just write a book?" You know, basically the most time-consuming thing she could think of to get me out of her hair. But I thought that sounded like a great idea, so I did it. I started writing a book. And I stuck with it until I'd hand-written nearly 300 pages. I finished that book when I was fifteen. Then I figured if I could do it once, I could do it again. So I did. Two more books before I turned twenty, and two more reasons why I knew I wanted to be a writer. There's nothing better than bringing new characters to life and falling in love with them. Nothing more enjoyable than escaping to a new world you've created. And nothing more rewarding than finishing those last words on a book and letting the world see what you've done. So technically, I wrote a book on a dare, but really it was just a perfectly timed push for me to follow my dreams. 


ABOUT THE AUTHOR - Cindy R. Wilson


Cindy R. Wilson is a YA speculative and contemporary author whose own struggles with anxiety disorder inspired her to write a story with a real-life topic readers can relate to.

She lives in the foothills of the Rocky Mountains and loves using Colorado towns and cities as settings for her stories. 

She's the mother of three girls who provide plenty of fodder for her YA novels.

When she's not writing, you can find her hiking some of Colorado's tallest peaks, reading, or listening to playlists she's created for her next story idea.



Monday, October 24, 2016

Blog Tour (Guest Post and Giveaway): HAPPY MAMAS by Kathleen T. Pelley (C)


Welcome to the HAPPY MAMAS Blog Tour... 
"A perfect ode to motherhood!"

Hosted by TheChildrensBookReview.com
by Kathleen T. Pelley
Illustrated by Ruth E. Harper 
Release date: October 10th, 2016
Published by CWLA Press 
Genre: Children ages 3 - 6
Format: Hardcover


SUMMARY

A lyrical read aloud that pays tribute to mothering in the animal and human kingdoms. 
Charming illustrations depict activities that bring joy to a mama and her baby over the course of a day: feeding her little ones bundles of bamboo shoots; teaching her calf hot to trumpet a loud jungle cheer; playing peek-a-boo; watching her little ones fly from the nest; singing a serenade to the man in the moon; or crooning owly lullabies through the deep dark woods. But as the moon glows and the stars shine, what is it that makes all mamas - from desert jungle, from forest to field, from land to sea - happiest by far? 

Mamas and babies everywhere will delight in this happy romp - a perfect ode to motherhood.

Perfect for one on one sharing or for use in the classroom. 

GUEST POST
Importance of having a Spanish version of Happy Mamas

We Celts love our circles – long ago we worshiped the moon and the sun, we sat in a circle to tell our stories, and when St. Patrick brought us Christianity, he took our beloved circle and placed it around the Christian cross, giving us the Celtic cross.   Most stories are circular too in their structure – that last page will often circle back to some character, scene, or concept from the first page, and reveal some shift or change that has taken place.  And of course, just as circles are seen as ways of connecting, so too are stories: stories connect us to other cultures, to other places, to other people and even to our ancestors and descendants.  That is why they are such an effective way of teaching children compassion and empathy: stories allow children to see the world through another’s eyes, to touch it with another’s skin, or to feel it with another’s heart.

But before children can relate to other cultures, they need to develop a strong connection to their own, which means they need to see themselves reflected in the stories that are read to them.  In this way, they can develop a strong sense of pride and honor about their heritage, language, and traditions.  From my own experience of growing up within a Scots/Irish culture (I was born and raised in Scotland, but spent most of my summers on my grandparents’ farm in Ireland) that was often undermined by the overall dominant English influence, I can totally relate to this need for honoring one’s own language and traditions.  Back in those days, the only kind of accent heard on radio or television, was the “Queen’s English.”  Scottish or Irish accents were branded as uneducated or inferior, and it was not until fairly recently, that the trend came full circle and now these regional accents are much more in vogue.

 Later, when I came to America, I experienced a certain loss of my cultural identity that is common amongst many immigrants.   I craved time with other Scots/Irish people – our accent and dialect, our traditions and common cultural roots gave us an immediate and lasting bond.  When I visit children in schools, they love to learn about the differences between Scots English and American English, and delight in some of our lovely Scottish sayings such as, “Lang may Yer Lum reek” or “the best laid plans o’ mice and men gang aft aglae.”   I like to show children how our language is so tightly connected to our identity and how this explains the need for a new American dictionary that came into existence after the American Revolution.

Of course, some may argue the danger of immigrants who maintain strong ties to their native land, is that they will never totally assimilate into their host country.  However, I think the opposite is true: when children have a strong bond to their native land, it can help them be more open to learning about the culture where they live and so ultimately strengthens their sense of belonging to two cultures.

As we know, this sense of not belonging is at the root of many or our societal woes, but when I talk to children about writing, I explain that sometimes we can actually use this feeling of not belonging to help our writing.  William Trevor, the Irish novelist, who was one of those rare breeds – a Protestant living in the south of Ireland (predominantly Catholic), attributed his literary success to his experience of always being “other” and not belonging.   As I tell children, when you come from another land, it is easy for you to observe things that the native people cannot see, and so it helps you to become a better writer.

In recent years there has been much discussion in the publishing world about the need for diverse books.  Rudine Sims Bishop noted, “When children cannot find themselves reflected in the books they read, or when the images they see are distorted, negative, or laughable, they learn a powerful lesson about how they are devalued in the society of which they are a part.”

Again, from my own experience of over twenty years of reading picture books to children – Kindergarten – 8th grade at an inner city school serving the Hispanic community, I witnessed this phenomenon first hand.  Over and over again, when I managed to find a wonderful picture book, featuring Spanish speaking characters or depicting some aspect of life in Spanish speaking countries, I could see the children literally sitting up in their seats, saucer eyed and mouths agape. Their excitement at connecting to these characters was palpable.  The perennial favorite for all grades from 1st -8th was The Quiet Place by Sarah Stewart and David Small, featuring a little Mexican immigrant girl in the 1950’s.

No wonder then, when I heard my Happy Mamas was also going to be a Mamis Felices, I was a very Happy Author!

Picture books are meant to be read aloud – they should be a veritable auditory feast filled with fresh, juicy, alliterative words, onomatopoeia, and rhythmic, playful language – all the better to enchant young readers into an early love of literature.  The first sound a child hears in the womb is the beat of the mother’s heart and so naturally we humans feel soothed and lulled by rhythmic patterns be it the pitter patter of rain, the click clack of knitting needles, the tick, tock of a clock, or the lovely lilt of a tale well told. 

 I fell in love with stories before I could read or write, by listening to them – on the radio, around the peat fire in my grandparents’ farmhouse, and later on, when we finally acquired a television in our house, from the voice of Roald Dahl himself reading aloud Charlie and the Chocolate Factory – yes, really!  When I write a story or read it aloud, I want to bask in the beauty of words and the wonder of language.

So, imagine my delight, when we found our talented translator, Gloria Garcia Diaz, an immigrant from Mexico, and translator of acclaimed author, Laura Resau’s book Star in the Forest.  Now, I have to admit, I can speak only a small smattering of Spanish, but like most Scots educated people, I did study French, German, and Latin all the way through high school, and even continued with my Latin through university.  All of that to say, I know enough about the translating process to understand that a good translation, especially of a children’s picture book, requires a translator who is willing to breathe her own life and love into the text, and thus retain the rhythmic, playful language that makes it a joy to read aloud for any parent.  Gloria’s labor of love now means that Mamis Felices will have a wider circle of children and parents who can enjoy this book and celebrate a Mama’s love.

Newbery Award winning author, Katherine Paterson, maintains that in every children’s book there should be “the wonder of language and the wonder behind and beyond the story that ties us to the mystery of the meaning of our lives and all of creation.”

And that is the magic of literature – it links us together, like letters in a word, or words in story no matter our race, culture, religion, age, or language.

Gracias, Gloria for our Mamis Felices!

·        Lang may yer lum reek – old Scottish blessing for newly married couple, meaning long may your chimney smoke – may you always have enough money to put wood in your fire!

·        The best laid plans o’ mice and men gang aft aglae”  the best laid plans of mice and men often go awry- from Rabbi Burns, Scottish Bard, To a Mouse.

Rudine Sims Bishop’s article, 1980 “Mirrors, Windows, and Sliding Glass Doors.” http://weneeddiversebooks.org/mission-statement/



GIVEAWAY

- Enter to win an autographed 6 picture book prize pack from acclaimed author Kathleen Pelley. The prize pack includes finger puppets, adorable stuffed animals, and HAPPY MAMAS.

One (1) grand prize winner receives:
Value: $150.00+
Three (3) runner-up prize winners receive:
  • A copy of Happy Mamas autographed by Kathleen Pelley
Value: $14.95

- Giveaway begins October 10, 2016, at 12:01 A.M. PST and ends November 10, 2016, at 11:59 P.M. PST. Open to US and Canadian addresses only. (Prizes and samples provided by Kathleen Pelley.)

(Bumbles and Fairy-Tales will not be held responsible for any lost, unclaimed, damaged, etc. prize(s).)


ABOUT THE AUTHOR - Kathleen T. Pelley

Kathleen Pelley was born in Glasgow, Scotland, but spent most of her childhood summers playing on her grandparents' farm in Ireland. Her passion for stories stemmed from listening to them on the raiio during the BBC children's story hour. Later, her gentle Irish father fanned the flame even more by feeding her his tales of fairies, leprechauns, and banshees. 

So much did Kathleen love stories, that off she went to Edinburgh University and earned a degree in HISTORY. She didn't much care for all the facts and dates and numbers, but how she loved the stories of Rasputin, Napoleon, and Bonnie Prince Charlie! One character in particular captured Kathleen's imagination - Florence Nightingale. After completing her degree, Kathleen studied to become a children's nurse, but it was brief and disastrous dalliance. For much as Kathleen loved children, she did not like to see them sick and suffering. However, decades later, Kathleen now sees herself as a kind of a nurse, because she believes that stories can heal the hurts in our hearts. 

As a former elementary teacher, Kathleen enjoys sharing her passion with people of all ages. She has been a regular speaker at Regis University on "Nurturing a Passion for Stories," makes frequent presentations at schools and conferences, and has been telling stories at an inner city elementary school for the past 20 years. She believes that one of the best ways to teach our children empathy is through stories that help them "walk a mile in another man's moccasins." When she's not reading, writing, telling, or listening to stories, Kathleen enjoys knitting, Scottish music, and hiking with her husband and two Golden Retriever dogs along the trails of sunny Colorado. 



Friday, July 29, 2016

Blog Tour (Guest Post, Review and Giveaway): DOUGLAS, YOU NEED GLASSES! by Ged Adamson (C)


by Ged Adamson
Release date: May 17th, 2016
Published by Schwartz & Wade (RandomHouse)
Genre: Children's Picture Book
Format: Hardcover, eBook 
Format reviewed: Finished hardcover from the publisher.


SUMMARY

Meet Douglas, a dog with a big problem: he needs eyeglasses but doesn't know it, and his bad eyesight tends to land him in some pretty hairy situations. 

Readers will laugh along with the new picture book character Douglas as he chases a leaf that he mistakes for a squirrel, walks through wet cement because he can't see the warning sign, and annoys the neighbor's dog by mistakenly eating out of his bowl. And when Douglas's owner Nancy finally takes him to what is clearly an eyeglass store and Douglas asks, "Why are you taking me to a shoe store?" everyone will be giggling.

After an eye exam confirms that Douglas needs glasses, and Nancy helps him find the perfect pair, readers will rejoice with Douglas as he sees all the amazing things he's been missing!

Both kids and parents will laugh out loud - and may even recognize themselves! - while reading this utterly irresistible, hilarious picture book. 


PURCHASE LINKS




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GUEST POST BY AUTHOR Ged Adamson


UNDER THE INFLUENCE

Probably the most frequent question people ask me is "Is it ok to draw birds with teeth?"
My answer is always the same: "Why would anybody draw a bird without teeth?"
The way you illustrate things says a lot about how your mind works. The things you draw represent your aesthetic leanings and your artistic influences. Every artist or illustrator has stuff they really like that inspires their work in a big way. These influences can last a lifetime or they can simply be a passing phase, it doesn't matter. No man or woman is an island and it's impossible to build a Donald Trump wall that stops other people's stuff getting into your work. And who would want to? 


It's a common thing that when people take up drawing or painting or any creative pursuit, they start off imitating something else. Your influences are everything at this early stage and usually, you will gravitate towards one of them and simply copy. This isn't a bad thing - it's almost a necessity because if you're lucky the process of imitation will teach you how to get to your own style. Other influences will be added and mixed. The more you do, the more those different influences will keep crashing together until they form something new: art that's yours and nobody else's. 

There's a whole load of things that go into my own style of drawing and writing. I was lucky enough to be a kid before the Internet. I say 'lucky' because the downsides of having so much instant choice at your fingertips are: 
1. You tend to look at the same kind of things and never encounter stuff that might spark some new ideas and thoughts. 
2. It's harder to be bored. Boredom as a kid is a great thing. It can make you use your brain and explore new territory. 

In that distant pre Internet age, you were stuck with what was scheduled on TV and what was available in your immediate environment. So some of the most memorable things from my childhood that kept me amused are not kid-related at all. What I wasn't drawing, I was watching telly and quite often it would be a programme that was thrown into the listings to fill a gap. Like an old public information film about what to do when a pipe bursts - or an episode of an ancient animated series about chess strategy. TV oddities like these seemed to occupy strange and forgotten worlds and, as a child who was obsessed by the past, they held a strong fascination. 

But there was one thing that, for me, made a wet Tuesday afternoon absolute heaven and that was watching an old British movie. But it had to be a certain kind of British movie. What I really loved were Ealing comedies - The Man In The White Suite, Kind Hearts and Coronets, The Lady Killers, I loved them all. But occasionally there were Norman Wisdom films too, Morcambe and Wise features and Will Hay pictures from the 30s. Here was humour from a different source and it seeped into mine and my brother's own sense of what makes something funny. 


Another British film favourite were the St Trinians movies. These always started with a title sequence illustrated by Ronald Searle from whose original comic strip the series was adapted. 

Ronald Searle is one of the most influential illustrators/artists of the last hundred years. His draughtsmanship alone was incredible and his output was staggering. Searle's characters - famous of not - are instantly recognisable as his. His humour is dark but never vicious. His love of Victorian architecture and ornamentation is evident everywhere in his work. There are so many illustrators, including myself, who have taken that aspect of Searle's work and mixed it into their own. 


A big American influence of mine who was a contemporary of Ronald Searle's is Charles Schultz. 

It's hard to put across how much I loved Snoopy, Charlie Brown, Linus and Lucy when I was a child. They were the best thing in the world. I literally dreamt about them. We amassed a large collection of Peanuts books in our house. We were all fans including my dad. In contrast to the simplicity of the art, there was a sophistication to the humour that kids and adults appreciated pretty much in the same way. That's another aspect of the genius of Schultz - his humour didn't work on two levels (like we're always hearing the Pixar movies do for instance); both children and adults could sympathize with Charlie Brown's insecurities and Linus's curiosity and sense of right and wrong. Through the Peanuts books we had at home, I loved to trace Schultz's development as an artist and the evolution of his style. It intrigued me that the 1950s Charlie Brown and Snoopy looked so different to their 19802 counterparts. 


Every Christmas there would be a new Giles annual in our house. Giles was a hugely popular cartoonist for the Daily Express. Being a Conservative newspaper, it wasn't one we took ourselves but Giles was so loved by us, we bought his annual anyway regardless of who was paying his wages. 

The cartoons centred around a large beleaguered family. They were very Middle England, Southern - whilst we were Northern, working class. But they were so well drawn - in the human sense as well as the artistic sense - it was easy to like them and laugh at their predicaments. But the things I particularly loved about Giles was his mastery of landscape and the portrayal of our uncompromising British weather. Nobody could do a rainy street in so perfect a way as him. His study of the gardens and backs of suburban houses covered in deep snow, overseen by black bare branched trees rivalled anything by Lowry in my opinion. Somewhere in this scene would be the dad working on his boat saying something (usually about the gran) to one of the kids. The gag was rarely memorable but, to me, the art itself was breathtaking. 


I could mention even more strange and wonderful things that have lodged in my brain and given me inspiration over the years but to mention them all would turn this into a small book. So the next time you’ve created something, remember to thank all those little influences that collaborate in your brain to make you who you are.


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MY REVIEW


OH how I wish I had this book when my oldest, who is now 12, had to get glasses!
You see, we didn't know that my son needed glasses at such a young age - he was having some problems engaging in certain activities, etc. But not even his doctors were aware that it may have been an eyesight problem. It took us a whole year to discover that he needed glasses! And by then, my son had learned to identify things by shapes and colors... he's now been wearing glasses since he was 4 years old, and will have to wear them for the rest of his life! He's not the only one in our family to have to wear glasses, so he's not alone now - but, it would have been so very nice to have a dog named Douglas to help him transition and accept that he wasn't the only one that had to wear glasses at his age... 

The story is so sweet, fun and humorus! Douglas gets into a bit of mischief because of his bad eyesight - something that we can all relate too! His 'hooman' does that best that she can, but soon realizes that her pup needs more help than she can give. Which is something that I can relate too! It's so hard, especially as a parent, to admit that something may be wrong with your child or anyone else that you love dearly. Being able to accept them as who they are is very important - especially if there is a way to help them improve their way of living. 

What I love about this book the most is the watercolor pictures - they give you exactly what and how the dog sees the world. Vibrant and colorful, and yet, a little blurry and shadowy, exactly how one struggling to see correctly would probably views the world - great blobs of colors!

My older boys, 12 and 10, really enjoyed the story - they thought it was cute and funny. And enjoy reading it, over and over again, to their littlest brother who is now 2 1/2. Littlest brother loves the "so funny part" and all the bright "pretty colors". 

Definitely a book for everyone!!! 



*A hardcover copy of the book was sent to me by the publisher for an honest review.
All thoughts are wholeheartedly my very own. 


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GIVEAWAY

(Bumbles and Fairy-Tales will not be held responsible for any lost, damaged, unclaimed, etc. prizes.)


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ABOUT THE AUTHOR - Ged Adamson


Ged Adamson is a writer and illustrator. His first two books, Elsie Clarke and the Vampire Hairdresser and Meet the McKaws, are both published by Sky Pony Press. A third, Douglas, You Need Glasses! will be published in May 2016 by Random House. He sees two books published in 2017 - Shark Dog in Summer 2017 and published by HarperCollins and I Want to Grow will be released in Fall 2017 by Boyds Mill Press. 

His cartoons have appeared in magazines such as Punch and Prospect, in books and on film. He's been a storyboard artist and a caricaturist. He also works as a composer for TV and film. 

He lives in London with his partner Helen and their son Rex. 

Links: Website / Instagram / Twitter


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BLOG TOUR INFO


Don't forget to enter the amazing giveaway, and leave a comment!!!
THANK YOU FOR STOPPING BY TODAY!!!

Sunday, February 22, 2015

Blog Tour (Guest Post, Review and Giveaway): A MEMORY OF VIOLETS by Hazel Gaynor (A)



A Novel of London's Flower Sellers
by Hazel Gaynor
Release date: February 3rd, 2015
Published by: William Morrow Paperbacks
Genre: Adult Historical Fiction
Format: Paperback, eBook, Audiobook
Format read: eARC from the publisher.


SUMMARY

"For little sister. . . . I will never stop looking for you."

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.

1912. Twenty-one-year-old Tilly Harper leaves the peace and beauty of her native Lake District for London to become assistant housemother at one of Mr. Shaw's Training Homes for Watercress and Flower Girls. For years, the homes have cared for London's orphaned and crippled flower girls, getting them off the streets. For Tilly, the appointment is a fresh start, a chance to leave her troubled past behind.

Soon after she arrives at the home, Tilly finds a notebook belonging to Flora Flynn. Hidden between the pages she finds dried flowers and a heartbreaking tale of loss and separation as Flora's entries reveal how she never stopped looking for her lost sister. Tilly sets out to discover what happened to Rosie—but the search will not be easy. Full of twists and surprises, it leads the caring and determined young woman into unexpected places, including the depths of her own heart.


GUEST POST

Introducing…. New York Times Bestselling Author Hazel Gaynor

I sometimes describe myself as one part writer, two parts mum and I think this is a pretty accurate description! Life as a writer with two young boys is certainly busy, and far from the idyllic image people might have of a place of calm and serenity to channel my writing muse! Writing happens when the kids are at school and in snatched moments between playdates and rugby training and cooking the dinner. It’s busy, messy and, at times, chaotic – but it’s also wonderful and I wouldn’t swap it for the world.

I started writing in 2009, following redundancy when I was in my late 30’s. From my fledgling experience as a parenting blogger, to freelancing for the local press and eventually starting the novel I’d been talking about for years, my route to publication has been far from straightforward. But all the ups and downs, the pain of rejections, the nerves as the book eventually goes out into the world have all been so worth it. To finally see my books in the hands of readers is very special indeed. It just goes to show that you should never give up, and that it is never too late to start.

It was sometime in 2010 when I first started to scribble notes and ideas for a novel based around the lives of London’s flower sellers at the turn of the century. That novel would eventually become A MEMORY OF VIOLETS. I’d loved Pygmalion and My Fair Lady since playing the role of Eliza Doolittle in the school musical (of which there is, unfortunately, video evidence!) I wanted to understand more about the real Elizas – the young women who sold flowers and watercress on the streets of Victorian and Edwardian-era London.

During my research, I was surprised to learn that many of the youngest flower sellers were orphaned, blind or physically disabled in some way. I also discovered the work of Victorian philanthropist, John Groom, who gave many of these young girls and women a home at his ‘crippleage’ where he taught them how to make artificial flowers and took them off the streets. Their work became widely known in London, and eventually led to their involvement in the very first Queen Alexandra Rose Day in June 1912. But it was when I read Henry Mayhew’s, London Labour & The London Poor, in which he records detailed interviews with London’s street sellers from the late 1800s, that I came across an account of two orphaned watercress sellers. I knew immediately that I had found my story and that I wanted to combine the idea of two orphaned sisters with the work of John Groom and his Flower Homes.

Since my debut novel, THE GIRL WHO CAME HOME, was published in April 2014, I’ve been blown away by the reaction of readers. I love receiving messages through my website and am always very touched when readers take the time to contact me and share their response to my characters. To have watched the novel go from being self-published, to a fully-fledged book published across the USA and to then hit the New York Times bestsellers on three occasions has been simply amazing, and I’m so very grateful to all the readers who made this happen.

I am now very excited to be publishing my second novel A MEMORY OF VIOLETS and can’t wait to see what this next chapter of my writing life will bring.



PURCHASE LINKS

Amazon / Barnes & Noble / IndieBound 



MY REVIEW

Every once in a while, there comes a book that is meant to soften your heart and embed itself into your memories for the rest of your life.  And MEMORY OF VIOLETS does so much more than that...

The story is told through a few different point of views, but primarily, it starts with Tilly Harper. Tilly leaves her beautiful home in the mountains to go work as a housemother in Mr. Shaw's Training Homes for Watercress and Flower Girls; a home for orphaned girls who have a physical disability. Tilly is to help care for these girls; girls who are not only cared for and given the opportunity to strive into young ladies, but who are also trained to learn how to live with their disabilities by working in the organizations silk flower factory, and then eventually mature enough to go on with their lives as normal as possible.
Upon Tilly's arrival, she comes across a small box containing a few odd momentos and a journal that belonged to one of the girls, Flora aka Florrie, that had stayed in the room she is now occupying. Tilly instantly feels a connection to the flower girl who lost her blind sister in London's streets. Tilly left home to find a way to forget the things that she had done and not feel so guilty anymore. But with Florrie's journal, she finds a way to do the things she must do in order to come to terms with her mistakes and her family secrets.
Florrie painstakingly writes her journal entries to her long lost sister, Rosie. Rosie is the only good that Florrie had in her life. She promised her little sister that she would always take care of her. Until that tragic day where she let go of her hand and Rosie was lost in the crowd of flower sellers and their buyers. Florrie promised that she would look for Rosie until she found her. Every single page of Florrie's journal was filled with such heartfelt longing and loneliness.

"For little sister... I will never stop looking for you."

Tilly is moved by Florrie's love and unanswered prayers. She is determined to find out what happened to Rosie and hopes to give Florrie the peace that she deserves. Little does Tilly know that there will be more ghosts to meet, help and say goodbye to.

The most definitive historical fiction I have ever read. The author's strong and accurate details to this period of time was captivating - I found myself living right alongside these characters. I felt the weather and smelled the stench of the London streets; I felt their moments of pain, love, sadness and more. I was able to close my eyes and not only picture the flowers, but smell them too. Even when I had to put the book aside to tend to my real life moments, I couldn't help but wonder about Florrie and what Tilly was going to do next in order to find Rosie, and what she was going to in regards to her own dilemmas - they became so real to me. And every once in a while, I swear, I could smell roses and sometimes, violets... their story kept calling me back. I needed to know what had happened to Florrie and Rosie, and what was going to become of Tilly, her suitor. her own sister, and others as well. 

An unforgettable story that I will be shelving next to my other heartfelt favorites such as The Christmas Box by Richard Paul Evans and Sarah's Key by Tatiana de Rosnay.


*An eARC was provided to me from the publisher for the blog tour and an honest review. All thoughts are my own.



GIVEAWAY

a Rafflecopter giveaway
(Bumbles and Fairy-Tales will not be held responsible for any lost, damaged, unclaimed, etc. prizes.)


ABOUT THE AUTHOR - Hazel Gaynor


Hazel Gaynor is an author and freelance writer living in Ireland. 

Her debut novel THE GIRL WHO CAME HOME (William Morrow/HarperCollins) was a USA Today and New York Times bestseller. Her second novel A MEMORY OF VIOLETS will be published in February 2015.

Hazel was the recipient of the 2012 Cecil Day Lewis award for Emerging Writers and was recently named as one of U.S. Library Journal's Ten Big Breakout Authors for 2015. 

Hazel also writes a popular guest blog ‘Carry on Writing’ for national Irish writing website writing.ie. She also writes feature articles for the site and has interviewed authors such as Philippa Gregory, John Boyne, and Sebastian Faulks.

Originally from Yorkshire, England, Hazel has lived in Ireland for the past twelve years with her husband and two young children. 


 
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